Thursday, October 8, 2015

The Value of a Mask



Today's post is about a somewhat famous DC story by Brad Meltzer and Rags Morales.  That's right, I'm reviewing "Identity Crisis".  It falls into the category of whodunits, but the emotions and characters roles give depth as the culprit tries getting out of trouble.  Getting deeper, the story's about secret identities and how a character's family are vulnerable when their identity's revealed.

So, ............. SPOILERS.

Let me start off with saying that this is mostly that the catalyst of the story is the death of Sue Dibny.  Her husband (Ralph) is the Elongated Man, and a reserve member of the Justice League.  He's not one of the higher profile superheroes, but he's seen some action.  Ralph tells a Justice League rookie about his perfect marriage (the chemistry is modeled after Rob and Laura's in the Dick Van Dyke Show).    We understand that when Ralph made his secret identity public, his private life and family became all the more vulnerable.  As the investigation begins, a very moving funeral is shown.  In an internal monologue, Oliver Queen points out problems of a service open to the public.  There are people who care about  the heroes, those who will gawk at the spectacle, and all the while, these masked individuals just want privacy to grieve.  Before the public eye, they must even mourn in costume, protecting their lives at home.

An interesting thing about this book is that you get internal monologue from so many different characters, but very little neutral narrations.  It's all color coded so that you know who's thinking what, but you're also following their train of thought from knee-jerk assumptions to answers that start making sense.

We see that one of Ralph's teammates, (Ray Palmer) has divorced his wife, and learn that these two heroes were on a team with a dark secret.  For the sake of protecting their loved one's this group had crossed a line that someone like Superman wouldn't condone.  Sue was part of what led to this dark secret, so the surviving members of the team believed that her murderer must have been this augmented villain seeking vengeance.  While planning their next move, Wally West and Kyle Rayner confront them.  Queen notes how similar these two are to the two deceased members of this scandalous group (Hal Jordan and Barry Allen).   This group of superheroes seek out Dr. Light on this suspicion as Charles McNider discovers in the autopsy that Light didn't do it.

From here, we start looking at some other private lives.  Tim Drake just recently telling his father
about being a Robin, and the Suicide Squad explaining talking about how Captain Boomerang is low on the totem pole.  After Ray's ex-wife is supposedly attacked, an investigation of the attempted murder led to a dead end, because the most likely culprit was incapable of committing the act.  Fearing for their family's safety Tim Drake spends more time with his father, Ray spends more time with his ex-wife (Jean), and Captain Boomerang meets a long-lost son who wants to follow in his father's footsteps.

Oliver seeks out the advice from Hal Jordan's spirit.  In his afterlife, Jordan is now "the Spectre", spirit of vengeance.  Jordan as pained that he knows who is behind this, but he is not allowed to interfere.

Wally goes to Oliver and seeks further truth about this Justice League secret.  Light wasn't the only one altered for the protection of families, so was BATMAN.  This team believed that Batman knew too much, and could possibly tell Superman.  Oliver explains to Barry how masks such as his protects sons, daughters, wives, husbands, parents, and other people in the lives of the superheroes.

Other superheroes' loved ones are getting targeted, up and down the DCU hierarchy.  Lois Lane and Jack Drake.  Tim Drake is called out to patrol as an obligation to justice, giving his father a way to communicate with Oracle (acting as a Justice League dispatcher).  A mysterious source provides him with a handgun, giving him reason to fear for his life.  When Jack's aware of an intruder invading the house, Oracle tries assisting him, while getting Bruce and Tim to the scene.  It's not soon enough.  Captain Boomerang appears, Jack shoots him, and a dying Boomerang kills Jack.  In a storytelling technique that stretches this sequence we see the tension in the eyes of Oracle, Batman, Tim, Jack, Captain Boomerang, and Boomerang's son.

Seeing his partner orphaned spurs Batman to go on his own investigation of Drake's murder.  The suicide squad is trying to make sense of their teammate's death and who called in the hit Captain Boomerang was supposed to carry out.  Ray and Jean are getting closer through the course of the story, and Jean let's slip a detail of the Drake murder that hadn't been released.  This is as Bruce Wayne is analyzing evidence, and the autopsy team of Michael Holt and Dr. Midnight have found footprints on Sue Dibny's brain matching an Atom suit.  As the heroes close in on Jean's guilt, she tries to explain to Ray how she did it for superheroes' personal lives.  Ray is so distraught by this that he goes on a sabbatical after dropping his wife off at Arkham.  Tim shuts himself off from Dick Grayson (a former Robin who knows what he's going through).  Oliver bonds with his son.  Captain Boomerang's son takes up the mantle.  Then, in the epilogue, we see a horribly damaged Ralph Dibny self-medicating and unable to accept the loss of his wife.

This was a great but extremely sad book.  Morales captures so much emotion in a single panel, that you can see how deeply the pain is striking the hearts of the characters.  Ralph just comes apart at the funeral in more ways than one.  He normally has flexibility powers like those of Plastic Man, or Mr.
Fantastic, but at a time such emotional trauma, he can't keep his form.  There's another panel with a ton of impact when Tim Drake finds his father's body.  Bruce holds him trying to shelter his partner from the pain, but Tim looks out toward the viewer horrified.

I think that Meltzer writes a great argument about the privacy of superheroes.  He writes from both sides of the argument.  How an exposed secret identity puts heroes' families at risk, and how far the superheroes can justify taking action to protect their secret identities.  There are some elements that I didn't notice until reading it a second time.  The first thing was how envy may have first compelled Jean.  The fact that her relationship with a Justice League member had fallen apart while the Dibnys' marriage was idyllic.  Also, re-reading the story you can relate to what Hal Jordan is going through.  You know who's behind Sue's murder and the killer's reasoning, but all you can do is read and watch as the story follows through until the characters find the answer for themselves.

I'd definitely recommend this book.  In my opinion, it was one of the great comics tragedies, and it has a moral to the story.  In the book, Meltzer and the characters start asking "Who benefits?".  You start wondering as you see relationships flourishing, but by the end the answer is that nobody benefits.  Neither the villains or the heroes.  All these people can do afterwards is try to carry on with their lives.

Friday, October 2, 2015

Clone Wars. No, the Other Series.




With all due respect to George Lucas, Star Wars: Episode II left fans still searching for something of quality that fans can be enthusiastic about.  This was years before Dave Filoni started working with Star Wars properties, and Cartoon Network show creator Genndy Tartakovsky was picked.  Tartakovsky was one of CN's CalArts guys, and in the past, he created Dexter's Laboratory and Samurai Jack.  In the DVD special features, Lucas says that he liked Tartakovsky because he liked the anime visual style that Samurai Jack aimed for.  Watching Dexter's Lab shorts like "Dim", viewers can see that Tartakovsky is also a great storyteller with the animated medium.

In 2003, fans were treated to "Star Wars: Clone Wars".  Today's post is reviewing the first season.  Uniquely, this consisted of episodes about 3 minutes long.  They would premiere during the afternoon, re-air that night, and then become available online.  Talking about the air times reminds me of my first semester of art school.  A bunch of us would come back from a morning studio course, grab lunch, watch Clone Wars, and then be ready for the next class.

 It had action drama, big and smaller stars, and it bridged Episodes II and III.  The show was so successful that when the combined first two seasons got nominated for an Emmy, they aced it.

So the series was primarily about Anakin's change in character between the two films.  We watch his relationship with Obi-Wan, Padme, and the Jedi Order in large.  We watch Count Dooku (Darth Tyranus) find an apprentice in Asajj Ventress.  We also saw different parts of the universe \affected by the Clone Wars conflict.  In these little side stories, you get to see Yoda, Mace, Luminara, Kit Fisto, and other Jedi get the spotlight.

While the story's main focus is about the separatists' strange fixation on Anakin, my favorite part was the side stories.  I was learning about lesser known knights and their padwans.  There's an episode where Kit Fisto, (an amphibious Jedi knight) rescues Mon Calamari from evil attacking droids (I had never seen force bubbles or a lightsaber in water).  Mon Calamri is the homeworld of Admiral Akbar.  I learned about the planet of Illum when Luminara Unduli was teaching young Barriss Offee about the importance of a lightsaber crystal.    In another episode, there was this awesome battle when Mace Windu takes on a who batallion of droids.  There's this scene where he jumps on an aerial droid, punches his fist into the machine, and uses the force to hijack and ride it.

When it came to the cast, many minor characters were brought into this story. Some characters would have brief appearances like an R4 unit that flew with Anakin and a jousting villain called "Durge" on a speeder.  What I think is cooler is that Filoni would later take characters like Ventress, Luminara, and Barris, and build on their rich stories.

This show was incredible, especially given that it was probably the best thing that happened to Star Wars since Return of the Jedi.  I have great respect for what Kathleen Kennedy, Dave Filoni, Greg Weisman, and J.J. Abrams have done with Star Wars, but I think Tartakovsky's series deserves more respect (even if it's no longer canon).  Disney's done an awesome job with the framchise. but I'd like to see Buena Vista put Star Wars: Clone Wars DVDs back into print.  Until then, you can find them secondhand, and sometimes on YouTube.  Since his Clone Wars series, Tartakovsky created a short lived series for Cartoon Network, a sci-fi teen drama called Sym-Bionic Titan, and has been directing the Hotel Transylvania series, along with some other animation and storyboarding jobs.

Tartakovsky's take on Star Wars deserves to be appreciated.